“Ode on a Grecian urn” is a reflection on the contrast between the perfection of the world of art and the cortometraggio comings and sufferings of real life.
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ANALYSIS OF ANALYSIS OF “ODE ON A GRECIAN URN” “Ode on a Grecian urn” is an angolo by John Keats. Comprehension “Ode on a Grecian urn” is a reflection on the contrast between the perfection of the world of art and the cortometraggio comings and sufferings of real life. Moreover, the beauty of works of art is eternal, while the beauty of human beings decays. FIRST BICOCCA Attuale the first alloggio, the poet addresses the urn as if it was alive and he calls it “Sylvan historian” on line 3. Usato this appartamento, what is represented on the surface of the urn, is a “flowery tale” on line 4, and an arcadian landscape. It tells or scenes of love which will remain forever frozen usato the urn. Up to date fact, while human beings and their PHYSICAL BEAUTY decay, these images and their beauty will remain eternal. As regards natural elements, we can find: “Sylvan” on line 3, “flowery” on line 4, “leaf” on line DIVENIRE and “dales of Arcady” on line 7. There is also an expression referring toh PASSION: “wild ecstasy” on line 10. Also SOME PEOPLE are mentioned: “bride” on line 1, “foster-child” on line 2, “deities or mortals” on line FUTURO and “men or gods” on line 8. Usato this appartamento, the most privileged sense is HEARING. The expressions related prendi it are: “silence” on line 2, “pipes and timbrels” on line 10. There are also some words related ehi QUIETNESS: “quietness” on line 1 and “slow time” on line 2. Line DIVENIRE “what leaf-fring’d legend haunts about thy shape” appeals prendi the sense of SIGHT. Instead, “pursuit” and “escape” on line 9, convey an punto di vista of MOVEMENT. The questions on lines 5-10 suggest that the poet is attuale a particular state of mind: they are addressed ecco himself, so he is usato the world of IMMAGINATION. Moreover, they introduce a sylvan and mythological world, since the key-word of the sestet is “legend” on line DIVENIRE. SECOND DOMICILIO This alloggio opens with a reference ehi the sense of HEARING and toh IMMAGINATION: “Heard melodies are sweet, but those unheard/ are sweeter” on lines 11 and 12. The other expressions referring toh hearing, which is the dominant sense, are: “soft pipes, play on” on line 12, “pipe prendi the spirit ditties of assolutamente no tone” on line 14, “thy song” on line 16 and “ear” on lines 13. The phrase “never canst thou kiss” on line 17 refers prendi the sense of TOUCH, while “she cannot fade” on line 19, “she be fair” on line 20 and “fair” on line 15 refer ehi SIGHT. All these actions, however, are related ehi ETERNITY, since they will never be completed. Up to date this abitazione, on the surface of the urn, there is a musician, the story of a “Bold lover” (on line 17): the poet evokes some unheard melodies that are a creation of mind; thi()

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