L’adulterio nell’et vittoriana e nella lettera- Thomas Hardy- usato inglese
Anteprima della tesina

THE ADULTERY ADULTERY The theme of the woman destroyed by love, betrayed by unrequited love, seduced by false deals or false lovers or victimized by tragic love, dominated the Pre-Raphaelite as well as Victorians paintings and poems of the nineteenth century. These themes stem from medieval romance (for example the cycle of King Arthur) and were met with both fear and fascination by most Victorians. The Victorians were great moralisers, they felt obliged toh support certain values, so they promoted a code of these values that reflected the world as they want it ecco be, not as it really was. The personification of this behaviour was Queen Victoria, who ruled for more than half a century the country. During this age sexuality was generally repressed attuale its public and private forms, and prudery attuale its most extreme manifestation led ehi the denunciation of nudity up to date art and the rejection from everyday vocabulary of words with sexual connotation. All these aspects are part of what has subito dopo che prendi be known as the “Victorian compromise” and these were refined by the rich middle class. The middle-class ideals also dominated Victorian family life, that was a patriarchal unit where the husband represented the authority and the woman role was the education of children and the managing of the house. With these preliminary remark it is easy prendi understand the meaning of most Pre-Raphaelite pictures. The artist focuses of the grim fate that awaits the outcast woman usato order ecco warn other young ladies prendi avoid similar temptation and ruin. Augustus Egg’s “Past and Present” series depicts a woman’s infidelity prendi her husband and its dramatic consequences. Attuale the first, “Infidelity discovered”, the adulteress, an upper middle-class mother has just been discovered and you see the incriminating letter on the floor. The fallen woman’s body is thrown at the feet of the husband, who sits silent, shocked. The two little daughters are uninterested and they are playing with their house of cards. The woman’s amichetto usato crime remains absent from the scene and this underlines the fact that women are not supposed uh have feelings outside the family, unlike men. The second and the third pictures, the “Abandoned Daughters” and “The wife abandoned by her lover with her bastard child” represent the present, ten years later and they illustrate the consequences of her actions and their self-destructive effects. The stages of the woman’s fiaccola are visible from the fact that the two young women are macchia attuale a poorer place and at the same moment the mother is huddling under a bridge. The theme of the fallen woman was dealt attuale literature up to date a different way by Thomas Hardy with hid “Tess of the D’Urbervilles”. The subtitle of the novel, A così woman, aroused the indignation of Victorian readers. Tess, who was raped byher stage, the shrewd Alec, is not presented as an adulteress but as a victim insisting on her natural goodn

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